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Tuesday, November 10, 2009
Justine Kurland and Barbara Crane
Friday, October 23, 2009
Denny Renshaw, Sufjan Stevens .... and the BQE?
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Friday, October 9, 2009
Just about the nicest thing anyone has said about us ...
What kind of lab do you want?
For those of us that still shoot (lots!) film, our relationship with our lab is critical. Handing over your film to someone else is like handing your child to a stranger. I’ve gone to several labs in the city, but I was never 100% happy with any of them.
A couple of months ago, on a recommendation from a friend, I started going to Lightside/LTI. My friend had recommended I speak to Jeffrey Kane when I got there. Jeffrey came out and was super friendly, explained all the services/pricing, etc. But beyond that, it seemed like he really “got it.” Not sure what it was, but he just had something different than most lab people.
It’s been several months now, and I couldn’t be happier. There have been no mishaps, no lost film, no late orders, nothing weird. And Jeffrey is always a pleasure to talk to. I guess you could sum up his relationship with customers with an email he sent me the other day after a quick conversation about some of my personal projects:
Hey Emiliano,
Here’s a few new-ish magazine links you may or may not be aware of:
http://www.foammagazine.nl/
http://www.gupmagazine.com/
http://www.deardavemagazine.com/
http://www.layflat.org/
Talk soon,
jeffrey kane
I don’t know about you, but I’ve never had my lab care about my development as a photographer or care about what obscure art mags I read! I thought that was pretty awesome. Further proof of Jeffrey’s radness, is that he also sponsors the Women in PhotographyLightside Individual Project Grant.
So swing by LTI/Lightside and say hi to Jeffrey. Tell him I sent you.
And here’s a photo from Erika Larsen who won the WIP/LS Project Grant:
Friday, October 2, 2009
Back at it for the Fall ...
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Wednesday, July 29, 2009
2009 WIP / Lightside Individual Project Grant winners!
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Wednesday, July 8, 2009
After Color: Curated by Amani Olu
Curator Amani Olu (Humble Arts Foundation) "examines how artists employ conceptual black + white photography to strengthen their ideas and how such usage comments on the dominance of large-scale color photography as seen in the contemporary art world over the last 25 years".
Lightside and LTI provided conventional black + white printing, mounting and framing services for Talia Chetrit's photographic Gradient Tool series and framing for Michael Buhler-Rose's mixed media Edition series.
Talia Chetrit: Gradient Tool #1, 2009
Michael Buheler-Rose, Edition, 2009
Friday, June 5, 2009
Sebastiaan Bremer at James Fuentes, llc.
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Tuesday, June 2, 2009
Meredith Danluck
Renwick Gallery, New York, NY: May 29 / July 25, 2009
Danluck made the photographs in Drinkability over a two year period and refers to the series as "American portrature of the contemporary west". Lightside and LTI scanned over 20 original negatives and imaged them as digital c-prints and archival pigment prints in various sizes ranging from 11 x 14 to 40 x 60.
Meredith Danluck: American Portrait, 2009
Tuesday, April 7, 2009
All Renwick, all the time ...
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