| Hey everyone,
Here's your heads-up that Justine Kurland's show This Train Is Bound For Glory at Mitchell, Innes & Nash is closing Saturday, November 14. It's certainly worth the trip if you haven't been.
Also of note: Opening Thursday, November 12, at the Aperture Gallery is a specially produced installation of Barbara Crane's Private Views - Public Places project from the 1980s.
See more info below.
Enjoy,
Jeffrey Kane
LTI / lightside photographic services
| | Justine Kurland: This Train is Bound for Glory
Mitchell, Innes and Nash closing Saturday November 14.
Keddie Wye: 2007, 24 x 31.5 Optical C-Print
Justine Kurland's This Train is Bound for Glory has been well reviewed in The New Yorker, New York, Time Out: New York, and beyond ... much of the writing touches on just how much of Kurland there is in these photographs. Many of the descriptions of nomads adrift in the American West - and of the landscape itself as a metaphor for the wanderlust of the American spirit - reflect Kurland's personal energy, which is smartly on display for just another week.
The exhibition consists of various sized conventionally enlarged c-prints. Kurland printed the 11 x 14, 16 x 20 and 20 x 24 pieces herself and LTI produced the 24 x 31.5, 30 x 40 and 40 x 50s as well as provided the mounting.
| Barbara Crane: Private Views Aperture Gallery, November 7 -January 21, 2010
Private Views: 8 x 10 Fujiflex digital c-print
Barbara Crane is enjoying a great deal of attention this year. The Chicago Cultural Center has launched a six decade retrospect of her work, Barbara Crane: Challenging Vision and Aperture has published a beautiful volume of Private Views.
LTI / lightside worked with Aperture to produce a limited edition of twenty 8 x 10 Fujiflex digital-c prints from a special edit of Private Views curated specifically for the Aperture Gallery.
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